"Nazis, Vampires, and Genocide: The Return of the Holocaust in Apocalyptic Television"
On panel Apocalypse, Dystopia, and Disaster in Culture. Southwest Popular/American Culture Association annual conference. Albuquerque, NM, February 2017.
"Apocalypse and the Postmodern"
On panel New Ends, New Beginnings. Cornell German Studies Graduate Student conference: The End: Theories and Practices of Narrative Endings. Cornell University, Ithaca, NY, November 2016
"Mad Max: Fury Road (To Meaning)"
On panel Apocalypse, Dystopia, and Disaster in Culture. Southwest Popular/American Culture Association annual conference. Albuquerque, NM, February 2016
“Repetition in/of the Apocalypse: Freud and Time Loops”
On panel Apocalypse, Dystopia, and Disaster in Culture. Southwest Popular/American Culture Association annual conference: Many Faces, Many Voices: Intersecting Borders in Popular and American Culture. Albuquerque, NM, February 2015.
“Repeating Historical Trauma in Apocalyptic Literature”
On panel Imagining the World’s End: Apocalyptic Representations in American Literature. Northeast Modern Language Association annual convention. Susquehanna University, Harrisburg, PA, April 2014.
“This Archive Will Self Destruct”
On panel Death Sentence. American Comparative Literature Association annual conference: Capitals. New York University, New York, NY, March 2014.
“Pastiche: Recycling Animals and Language in Margaret Atwood’s Oryx and Crake”
On panel Recycling the Tale. Department of Comparative Literary and Cultural Studies graduate student conference: Recycling. Stony Brook Manhattan, New York, NY, September 2010.
“(An)Archiving after the Apocalypse: The Death Drive, Representation, and the Rise and Fall and Rise of Civilization in Miller’s A Canticle for Leibowitz”
On panel Finalities: Revolution and Apocalypse. York University Graduate Programme in Social and Political Thought Strategies of Critique conference: The Future (TBD). York University, Toronto, April 2010.
“The Ontology of a Novel: Reading Dennis Cooper’s Period alongside André Bazin’s ‘The Ontology of the Photographic Image’”
On panel Problems of Authenticity. New York University Graduate English Organization conference: Literature and the Mass-Produced Image. New York University, New York, NY, April 2010.
“The Burden of History: Colonialism and Monumental History in Virginia Woolf’s Mrs. Dalloway”
On panel Colonial and Migrant’s Lore. New York University Draper Student Organization interdisciplinary colloquium: Identities. New York University, New York, NY, April 2007.